Monday, 10 October 2016

Portfolio Assignment

Recording Drums

In todays recording studio, I recorded Josh playing drums for the track I am remixing, in employability called 'Do For Love' by 2pac. To start off we decided on a list of microphones we would need during the process, this included; 4 Sm57's and 2 NT5's. We chose these microphones so the Sm57's would be able to pick up individual sound whilst the two NT5's would act as overhead microphones to capture the drum sounds all together and give us the stereo image we desired, whilst one of the Sm57's were placed on the snare, another on the high toms, another on the floor tom, another on the hi hat and the last one on the kick drum. This was a successful idea as we were able to get a very clear, smooth sounding drum kit which gives me many options to chose from when editing. Below is the finished recording of the drums, with each track labelled of the positioning of the microphones.

Recording Bass Guitar

Recording the bass guitar was fairly simple, we set up 2 NT5's and placed them by the bass amp using a stereo axis positioning called ORTF to ensure the sound wouldn't clash, whilst brining out the best quality of the sound. We chose to use the amp rather than feed the bass directly into the D.I so we still had the ambience in the background rather than just purely the bass playing. We took multiple takes to deicide what bass track I would use on my track, furthermore we also added a titan as a room mic to add ambience to the sound. Below is a screenshot of the bass recording.

Recording Studio

Recording Drums

In todays recording studio, I recorded Josh playing drums for the track I am remixing, in employability called 'Do For Love' by 2pac. To start off we decided on a list of microphones we would need during the process, this included; 4 Sm57's and 2 NT5's. We chose these microphones so the Sm57's would be able to pick up individual sound whilst the two NT5's would act as overhead microphones to capture the drum sounds all together and give us the stereo image we desired, whilst one of the Sm57's were placed on the snare, another on the high toms, another on the floor tom, another on the hi hat and the last one on the kick drum. This was a successful idea as we were able to get a very clear, smooth sounding drum kit which gives me many options to chose from when editing. Below is the finished recording of the drums, with each track labelled of the positioning of the microphones.

Recording Bass Guitar

Recording the bass guitar was fairly simple, we set up 2 NT5's and placed them by the bass amp using bidirectional positioning to ensure the sound wouldn't clash. We took multiple takes to deicide what bass track I would use on my track, furthermore we also added a titan as a room mic to add ambience to the sound. Below is a screenshot of the bass recording.

Employability Task, Remixing

Tupac Do For Love

What makes this track stand out so much for me, would have to be the bassline and vocals. To start off I got stems for the bass and the drums, however whether I used the drums or not was yet to be decided. Using ultra beat I came up with a 90's sounding drum kit which i added mid way through the track, I used this to further develop the song into my own image. After listening to the original multiple times i decided that adding a synth under the drum beat was the way to go. Later on in one of our classes with Farz, I asked Josh to play the drums in audio, which was interesting because it gave the drums a realistic sound and can be improved further through the use of effects and equalising

Thursday, 22 September 2016

Studio task

Still Brazy

The most recent album out now which I would have to call my favourite would be Still Brazy. The majority of the songs follow Yg's genuine style of early 90's rap. I find this very interesting as not many modern rappers are able to do this so it gives listeners a feel of what living a life in ghettos/dangerous neighbourhoods in LA would be like. In addition,theres a track on the song which holds some emotion, this is due to Yg being shot mid 2015 and making a song out of it called "Who Shot Me".
My favourite song on the album would have to be 'Why You Always Hatin?'. This is my favourite track as it differs from Ygs normal approach to his songs, by being more of a party song which he hadn't really done for a couple years. The fact the song differs from his traditional style tells me that he's able to switch styles of music and still be a success as we can tell from how much this song blew up.

Ready To Die

I have chosen Biggie Smalls' Ready To Die as my all time favourite. It speaks about death and just how close people living in the conditions Biggie was brought up in are close to it. Furthermore the whole album is almost a collection of stories the way Biggie Smalls' brings you through the tracks with his lyrics. My favourite track on the album is Suicidal Thoughts, this is due to the "conversation" he is having on the phone. Biggie brings the track to life by rapping in response to what we assume is his friend on the other end of the phone. In addition its almost like he's listing his sins to us through song.

Thursday, 9 June 2016

Evaluation of FMP Project

Evaluation

Critical Analysis

Looking over my work I am very satisfied with my work and consider it to be at a professional level. Compared to artists who do work at a professional level I would say all the music I've produced and recorded is up to par, this is because I feel I have gone about my project, analysing every detail to the last key before making or beginning the creation of each track. Furthermore looking into each artist I planned on researching before I worked on the song I wanted to be influenced by them, really helped as I was able to pinpoint what aspect of their music I wanted to include or be the main focus of my work. The main issue I faced with my project is time management, I had really poor time management throughout the project as I would tend to spend too much time working on one song, which led to the next song or another aspect of my work not being how I visioned it, furthermore this is what led to the un-complete track which was supposed to be influenced by Herbie Hancock's Cantaloupe Island. Moreover the amount of time I gave the group I was working with to record Keep Us Safe was not sufficient enough, I would give more time for this by letting my group be aware of my plans much earlier in the project. In addition working on the score was also quite challenging as although i had knowledge with music theory, I had never written a whole song for a range of different instruments which was why my teachers and logic was such a big help, but even so I had never used the logic score function so I learnt a new skill within logic. If I was to start this project from scratch, I would start off by researching the artists songs that I would be taking influence from so I could get started on the creation of each track much earlier and much more efficiently, rather than just doing notes for my research as I go along I would write all my research I had gathered at the end of the week rather than when I thought I had gathered enough notes. In the future I plan to improve by being much more aware of my time, I could do this by writing a detailed plan of what I wish to achieve by that week, and if one of the items on the checklist are in-complete they would then take priority over the next week. Moreover I would also like to be able to have enough time to mix my tracks more throughly as I feel this would have improved my songs and help them fit them image I had in my head.

Research

My research was based around, three artists, Nina Simone, Miles Davis and Herbie Hancock also my research includes the different types of modal jazz and modes within jazz. I looked into the keys they used in an individual song of theirs, and took an aspect of their work and changed it into a way that suited me and included it in my tracks. The research methods I used were, reading articles both online and paper copies, watching videos that explain how a track is made or explain more about the artist and reading other online websites that give a lot of information about scores, keys, modes and the artists themselves. I feel I completed an adequate amount of research apart from my research based on Herbie Hancock. I feel I should have researched more into Herbie Hancocks Cantaloupe Island and the creation of that song. Furthermore I should have researched throughly the style he plays and what makes him so unique and why he was chosen to play with Miles Davis. Through my research I have learnt a much better way to create songs using keys and changing the feel of music its self simply with the chords and how I play the chords.

Technical and Practical skills.

My research has helped my practical work by letting me understand modes and which modes I would be including in my tracks. This helped because I was able to get the aspect of music I wished. In addition from looking at the different scores the artists used I was able to have a better understanding on doing my own scores, which made the process a lot shorter than I originally thought it would be. There are a range of skills I used which helped me finish the project. Firstly, setting up a recording studio was a key skill, this was a skill I learnt in secondary school and I was able to set up the recording studio with the short time we had swiftly as, this was a regular occurrence. Furthermore, writing scores is a skill that I had developed over the course of this project as to be able to record the instruments I would need a score, although most of the score writing was done by logic I had to converse with the artists to see what kind of score would be best for the individual artist.

Project Management and Working Methods

During the FMP a few problems arose, my lack of knowledge on modal jazz and chords, proved to be a main factor as working on my tracks couldn't proceed without enough information on both of these subjects. To counter this i made it priority in my research to start researching this. This helped because once I had learnt these two subjects I was able to create and finish both of the tracks swiftly.
I have not completed all the work intended for my project, I missed out on my track which was to be influenced by Herbie Hancock and parts of research that was to be done to help with the Herbie Hancock track. To attemept to make up for missing out on Herbie Hancock I put more detail into both of my tracks Keep Us Safe and Conversement, and doubled the research I planned originally to do on them, this helped the success of both of these songs and taught me more about Jazz in general.
During the access time slots that were given to us i made use of these by attending all slots and working on my music as much as possible since I could do the majority of research and written work elsewhere.

Collaborations during the FMP

One of artists that I collaborated with during the project would be Eleanor. Eleanor was very useful to me as she helped write the lyrics to Keep Us Safe and allowed me to record her singing so that I could use her voice in the Keep Us Safe track. This was helpful because at the time I was unsure whether I would be getting any vocals on the tracks at that time. Furthermore I worked with Jack, Joshua, Alex and Monique, all of these artists helped me record the instruments of Keep Us Safe and they were very helpful as we had limited time in the studio to do this recording session.  

Literature Review

Literature Review

http://www.jazzstandards.com/theory/modal-jazz.htm

This first source was useful to me as it is very descriptive talking about the different types of modes in Jazz. This was an important aspect of my work since all three different artists used modal jazz or some type of influential jazz which one way or another revolved around these different modes. It explains in depth what different mode is similar to and what makes them unusual to your normal chords.

http://aln3.albumlinernotes.com/Kind_of_Blue.html



This source gives an insight into improvisational jazz. Furthermore it also looks at the creation and inspiration for Miles Davis' whole album 'Kind Of Blue', this was useful to me a I was able to get first hand information on why Miles Davis plays his style and what his style was. I could use this information in my track Conversement, for the chords and also use it to back up my research about Miles Davis.

http://www.bbc.co.uk/schools/gcsebitesize/music/popular_music/jazz1.shtml
This source was useful to me as it speaks about the origins of Jazz, which wasn't necessarily an important aspect in my project  but it gave me a back drop on what i needed to learn and the different types of jazz that exist today and where they came from. Furthermore it also gives an insight into blue notes and the 12 bar form that will be commonly found within Miles Davis' work, i've included this in my Conversement track where it switches from A dorian to Bb dorian. Although I didn't use blue notes I was still able to touch on them and learn that they are usually found on the third fifth and seventh degree of a scale.

This source was useful to me as I could rarely find much information about bebop jazz. Be-bop jazz is described in depth within this post and was helpful because Herbie Hancock was in between be-bop, modal and electronic fusion jazz. Since Herbie Hancock has such a unique style this blog helped me analyse his style and gave me insight into a similar style that he plays.



Wednesday, 8 June 2016

Final Product

All of my tracks can be found below, there are three I would like to be heard which are; Conversement, Keep Us Safe and Keep Us Safe Midi.
https://soundcloud.com/milesedwardsfrancis